Catering2Us
ONE BLACK WOMAN STORYTELLING LESSONS / 'NEXT DOOR' SERIES CAMPAIGN
CAUTION:
SITE UNDER CONSTRUCTION
CAUTION:
SITE UNDER DEVELOPMENT
PROMOTING LIFE STORIES
OF THE RICH
US !


"Until the Lions have their own historians,
the history of the hunt will always glorify the Hunter. "

ENTERING THE LAIR OF A SEASONED LIONESS*
,
Battle-tested, underground, self-made historian —
fiercely devoted to working-class truth.
I've Crafted My Own Unique Arsenal Of Powerful
StoryTelling Curriculum And Formats — Designed To:
.
1. Surprise
2. Challenge
3. Demystify The Process of Creating
4. Explore Strategies for Building Community & Creative Teams
5. Help You Discover The Untold Story Inside Your Own Life
This Is Me, One Black Woman....

Using What I Know To Create

to reach working-class people like me: not connected — but committed to figuring out what it means to live out your potential when no one hands you a map and your travel starts with bus tokens.
LESSONS
AN ORIGINAL SERIES
This site is also our backstage pass and blueprint table — a place for my co-conspirators and I to map strategy, stretch our knowledge, and rally the scrappy, resourceful community we need to lift my original series NEXT DOOR from ink on the page to a living world on the screen."
-- Trayce *

Dear...
Here’s a personal story about what fuels me — and this site.
;
Last September, I organized a Remembrance for my mother, Valeria Belle Anderson, in Madison, Georgia. She passed in California, shortly after turning 94. We gathered at Plainview Baptist Church — her family’s church, built on land donated by her people, the Andrews.
.
Being there felt like stepping into living mythology.
.
The county museum has a permanent Andrews Gallery. On the walls: mom's brother — my uncle Benny, the celebrated painter. Written about, my uncle Raymond, the respected writer.
But what stopped me was standing in front of my grandad George’s paintings, seeing them in-person for the first time.
.
He painted his whole life – even when living in a shack. In Madison, everyone knew that was just part of who G. was. He worked. He lived. He made pictures. No one considered his work ‘professional’ or 'art' – until his sons became famous (undoubtedly inspired by him). Now G's celebrated in the Gallery as 'The Dot Man'.
.
He created simply because he had to. Without spotlight, no promise of anything. He created 'cause he needed to speak his language -- the one he was inventing -- and doing so made him whole.
.
Standing before G's colorful, wild expression — I knew, and claimed it. The same current is alive in me. And I know how to help release it in other working-class people like me .
.
We need to share what we feel called to express — not for money or recognition (though that very nice) -- but to become whole to ourselves. - Trayce

Hey , last note – I turn seventy in December , and I believe there can be a new chapter in my life (and in yours as long as you're breathing). This site’s part of that – an expansion of my creative voice and the unapologetic promotion of my own storytelling and teaching – through words, yes, but also through my picture collages and visual design. - T

NEXT DOOR
At a budding age, when nothing fits,
and she think she's the problem —
That's exactly what someone wants.
OPENING: MEET THE FAMILY

Thirteen-year-old CHARLIE — watchful, awkward, quiet, old-souled — carries the weight of parenting her eight-year-old sister, MAX, and her spirited but unstable mother, JASMINE. Then one night her mother announces she’s leaving for a temporary job far away — but as she walks out the door, it’s unclear when… or if… she’s coming back.
.

Episode #1: BORN IN A BOX
Episode #2: FAMILY ROUTINE
Episode #3: ENTER THE STRANGER
Episode #4: BEING SCHOOLED
Episode #5: REAR WINDOW
Episode #6 THE CHASE
Episode #7: THE WORLD AS YOU WANT IT

